The premise of this film is very simple and very implausible. An aged former Nazi (Laurence Olivier) has “escaped justice,” ending up in New York. He has a stash of diamonds in a safety deposit box worth tens of millions of dollars. He wants to get them out and go back to safety in Uruguay, but he’s afraid he is being watched and might be robbed while leaving the bank with such a hoard. Put yourself in his shoes and guess which of the following plans would make sense to get the loot out of the bank: Continue reading…
By Title
Original German: Der Golem, wie er in die Welt kam (“Golem: How He Came Into the World”). This is an early silent masterpiece. It is a telling of the most famous golem-legend, which takes place in Prague during the Elizabethan period. Using astrology, kabala, and invocation of an evil spirit, Rabbi Judah Löw (Albert Steinrück) succeeds in animating a clay model of a man. With this Golem, Löw is able to defend the jews from persecution by the Empire; in addition, the Golem (played by Paul Wegener who also directs) is marshaled to kill the Gentile lover Continue reading…
This was an HBO series aimed at modern young women that is now available on DVD. It was a six-year sensation spanning the new millennium. Continue reading…
This may be the first east-west German reconciliation movie ever, having been begun on the east side before the wall fell, and completed after. Continue reading…
This is a cloak-and-dagger story in the manner of a gritty, black-and-white Raymond Chandler flick. The setting is post-war Vienna. The city is divided, being conjointly ruled by the four allied powers. American Holly Martins (Joseph Cotton) comes to visit his friend Lime, only to arrive in time for Lime’s funeral. He can’t resist investigating what happened, getting pulled into a situation dominated by a creepy underworld, and an overworld almost as creepy. Continue reading…
This is another post-reunification attempt to come to terms with the story of communist East Germany. Other efforts with this motive include two reviewed earlier in these pages, The Tunnel and Goodbye, Lenin.
The two parties to the conflict are several officers of the Stasi (state security force/secret police) on the one hand, and a circle of artistic types on the other. The Stasi group (led by Ulrich Mühe and Ulrich Tukur) is portrayed, not just with chilling and inhuman competence, but Continue reading…
This is one of those movies that is quite stunning and moving in the watching, but afterwards you realize you’ve been cheated. Continue reading…
Russian sub runs aground on New England island. Crew comes ashore to try to acquire a power-boat to help dislodge the sub. As more and more islanders realize there are Russians around (recall: this is at height of cold War), crazy, tongue-in-cheek panic breaks out everywhere. At length, an armed Mexican standoff between the Russians and islanders develops, when a boy falling out of a church window leads to an unexpected resolution. Continue reading…
During WW2, a british freighter is sunk by a U-boat, at the same time the U-boat is destroyed. Several survivors of the freighter, plus the German U-boat captain manage to clamber onto the only surviving lifeboat. This group, thrown together into such cramped quarters in the middle of a vast sea, have to figure out how to eat, drink, deal with a gangrenous infection, and sail toward some definitive goal. Continue reading…
This is a detective story set in a fictional pair of towns straddling the US-Mexican border. The car of a rich man is blown up. By chance, Mexican federale Vargas (Charlton Heston) is honeymooning in the town, and somehow ends up on the case in parallel with Quinlan (Orson Welles), the rotund, cigar-chomping local cop.
Quinlan works by hunches and intuition, while Vargas works by strict legal procedure. The problem is, Continue reading…
This movie intersperses funny and shocking. The former derives from Charlie Chaplin’s parody of the fascist leader “Phooey” (= Führer), which is quite funny even if not entirely fair; the latter is the sudden violence of storm troopers breaking things up in the ghetto. Even these scenes often have comic relief in the second Chaplin figure, the amnesic Continue reading…
Cary Grant is a newspaper big shot. His girl friday Hildy (Rosalind Russell) was his assistant that wrote great stories, and was also his wife before she divorced him in disgust at his preoccupation with work. She shows up at his office to tell him to stop phoning a dozen times a day, and sending 20 telegrams: she is to be married to insurance salesman Ralph Bellamy (one of the Duke brothers in Trading Places 43 years later) the very next day. But Cary Grant would like to remarry her, and makes all kinds of plots to delay Hildy’s trip to the place of the other wedding. Continue reading…
Hilary Swank is bright-eyed, idealistic teacher in a recently-integrated LA public high school. Her class of freshmen is divided into at least four ethnic groups. Each group (except of course the honky — but no matter, there’s only one of him anyhow) has a strong sense of tribal loyalty; this fact is exemplified by turf wars in their respective neighborhoods. The first day of class brings the ongoing war into the school, Continue reading…
Another roaring Preston Sturges movie. Continue reading…
Beautifully filmed statement of the key events in the life of Martin Luther. It seems to include the same main facts as Roland Bainton’s great biography, with the exception of ignoring the role of the knights; but liberties are taken with the details, and an episode with a suicide is, so far as I can ascertain, completely made up (though for an acceptable thematic purpose). Continue reading…
